Jessica C. Beckman
Assistant Professor
Appointments
Assistant Professor, Department of English and Creative Writing
Area of Expertise
Early Modern literature,
poetry and poetics,
material culture,
literary formalism,
book history,
history of reading,
archives
Biography
Jessica Beckman is an Assistant Professor of English specializing in early modern poetics and material culture. Her book The Kinetic Text (Penn Press, 2026) challenges the arbitrary division of literary studies from book history by illuminating how writers from the sixteenth century onward harness the natural dynamism of reading to produce poetic effects. Her next project, entitled Unstable Character in the English Renaissance, explores the nature of literary character before the rise of narrative realism. She teaches courses on literary history, early modern drama and poetry including Shakespeare, Spenser, and Milton, and the history of the book from William Shakespeare to Gertrude Stein.
Beckman holds a PhD in English Literature from Stanford University, an MA in English from Georgetown University, and a BA in English and Art History from The George Washington University. For the 2023-2024 academic year, she was a Barbara Thom Postdoctoral Fellow at the Huntington Library in San Marino, CA. Her essays have appeared or are forthcoming in English Literary History (ELH), Renaissance Drama, Spenser Studies, The Spenser Review, and Exemplaria. Her research has been supported by short-term fellowships from the Huntington Library and the Stanford Center for Spatial and Textual Analysis (CESTA), among other institutions. Before joining the faculty at Dartmouth, she taught at Smith College, where she was honored for her work with students by the Office of Equity and Inclusion, and at Stanford University, where she received the School of Humanities and Sciences' Centennial Teaching Award.
Education
B.A. George Washington University
M.A. Georgetown University
Ph.D. Stanford University
Publications
"Without Intention: Book History and Poetics" in The Lives of Book History: Peoples, Texts and Methodological Futures, ed. Heidi Craig and Georgina Wilson, under contract with Arden Shakespeare.
"January: A Conversation with Dr. Jessica C. Beckman," Occasion of the Season podcast, January 2025.
"Reading Madly in King Lear: Q1 (1608) and the Pathos of Print," Renaissance Drama 52.1 (2024): 1-27.
"Unspeakable Pastoral," The Spenser Review 53.2 (2023).
"Time, Reading, and the Material Text: Revising Spenser's Shepheardes Calender," Spenser Studies 33.1 (2019): 161-185.
"Milton's Evolving Faculty of Conscience: 'On the New Forcers of Conscience,' A Treatise of Civil Power, and Paradise Lost." Exemplaria: A Journal of Theory in Medieval and Renaissance Studies 24.1-2 (2012): 46-61.
Works in Progress
The Kinetic Text: A Poetics of Movement in the Age of Print (forthcoming 2026)
Although the compilers of Shakespeare's first folio address their work "to the great Variety of Readers," new attention to the history of reading and the materiality of texts has recovered great varieties within those readers. They read serially, discontinuously, and even spatially around the page; they read silently and aloud, in bed and at their desks, with pen in hand and with other books on their minds. Their reading was, as ours remains, a dynamic and variable enterprise.
The Kinetic Text introduces a new theory of early modern poetics that eschews the arbitrary division of literary studies from book history by demonstrating how writers harnessed the dynamism of reading to produce literary effects. Bridging new formalism, the history of reading, and the history of the book, The Kinetic Text redraws the canonical boundaries of early modern English poetics around the expressive potential of the material text.
Unstable Character in the English Renaissance
Unstable Character examines the physicality of literary character before the rise of narrative realism. How, it asks, do poets and dramatists theorize bodies that are made out of words? How are such bodies assembled and transformed? Unlike character criticism that focuses on neoclassicism, probability, or psychological consistency, this project investigates how early modern writers use literalized metaphors and transformed bodies to explore fiction as a kind of material existence.
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