Sam Moodie

Selected Publications

• “Triangular Voyages: Locating the Transnational Caribbean Woman in Paule Marshall’s ‘To Da-duh, in Memoriam.’” Special Issue Editor Jennifer Williams. Meridians: feminism, race, transnationalism, (Fall 2017).

• “Satire in the Black Americas: Transnational Problematizations in Chappelle’s Show and Ity and Fancy Cat.” Contemporary African American Satire. Eds. James J. Donahue and Derek Maus. (Summer 2015, University Press of Mississippi).

• “In Her Own Image: Literary and Visual Representations of Selfhood in Toni Morrison’s The Bluest Eye and Jamaica Kincaid’s Annie John.” Meridians: feminism, race, transnationalism, 12.1 (Spring 2014)

• Humor in the Caribbean Literary Canon, New Caribbean Studies Series, Palgrave Macmillan, 2012.

• “Through the Caribbean Sea and Other Waters: Loretta Collins Klobah’s The Twelve Foot Neon Woman Enters a Woman Poet’s World.” Small Axe Salon, 4. (September 2012).

• “Violent Liaisons: Historical Crossings and the Negotiation of Sex and Sexuality in The Book of Night Women and The True History of Paradise.” Small Axe, 38. (July 2012).

• “Traveling Humour Reimagined: The Comedic Unhinging of the Western Gaze in Caribbean Postcards.” Caribbean Quarterly, 58.2-3. (June-September 2012).

• “Synaesthesia and the Refracted Ethnographic Gaze in Nellie Rosario’s Song of the Water Saints.” Publication of the Afro-Latin American Research Association, 15 (October 2011), 108-120.

• “Slackness and a Mento Aesthetic: Louise Bennett’s Trickster Poetics and Jamaican Women’s Exploration of Sexuality.” Editor Ifeoma Nwankwo. Journal of West Indian Literature, 18.1. (November 2009).