Assistant Professor of English
“King Lear, Heartbreak House, and the Dynamics of Inertia” for SHAW: The Annual of Bernard Shaw Studies. 35.1, Spring, 2015.
“Performance Notes,” for The Norton Shakespeare (Third Edition), ed. Stephen Greenblatt (New York: Norton), 2015.
‘‘Dwelling in doubtful joy’: Macbeth and the Aesthetics of Disappointment," Macbeth: Arden Critical Currents , ed. Ann Thompson (London: Methuen), 2014
"'Is't real that I see': Staged Realism and the Paradox of Shakespeare's Audience," Shakespeare Bulletin, 31.4, Winter 2013.
“Mirrors and Monarchs: Suggestive Presences and Shakespeare’s Cast Size,” in Shakespeare Embodied: Page, Stage, and Classroom in Shakespeare and his Contemporaries, ed. Kathryn Moncrief, Kate McPherson and Sarah Enloe (New Jersey: Fairleigh Dickinson University Press), 2013.
“Letting Unpleasantness Lie: Counter-intuition and Character in The Merchant of Venice ,” in Shakespeare’s Sense of Character – On the Page and From the Stage , ed. Yu Jin Ko and Michael Shurgot, (Aldershot: Ashgate), 2012.
“Having it Both Ways in Juliet’s ‘Gallop apace’ Speech” in Shakespeare Up Close, ed. Russ McDonald, Nicholas Nace and Travis Williams, (London: Methuen), 2012.
Works in Progress
Shakespeare's Double Plays